Slow. Real slow. Summer is the best time to be a flaneur in Paris. It's also the best time to stop and smell the geraniums. Or stop and do nothing. While you're at it, eat two tarts simply because you can’t decide between the raspberry and the strawberry. Soak up twilight. Open the cherry red door to see what’s behind it. Fall asleep in a park. And most of all, forget the plans. This is part of the Paris in July celebration. See more here.
It was a busy summer, and we are a bit behind schedule, but the latest volume of the Paris Journal is live. Volume Two takes you to the twin islands at the heart of the city, the Île St. Louis and Île de la Cité. The day begins moments before dawn at the Cité train station, followed by a long, leisurely stroll along the banks of the Seine - a story of light, shadow and water. We hope you enjoy it! Download here.
Many of us celebrate father's day, but what about Bloomsday--the day James Joyce fans celebrate Ulysses? My ode to Joyce is above, and was inspired by a portion of Molly Bloom's soliloquy in the book. For anyone who believes that James Joyce wrote Ulysses as an intellectual exercise designed to torture English majors, I appeal to you to re-read the last lines of this incredible story, which in my illustration form the wings of a butterfly emerging from a cocoon. The additional details of the illustration (the body, hindwings and the cocoon below) are formed from the dominant word in the monologue, "yes." "I was a flower of the mountain yes when I put the rose in my hair like the andalusian girls used or shall I wear a red yes and how he kissed me under the moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes." Want more? Open Culture shared a rare 1924 recording of Joyce reading from the Aeolus episode, here, and a link to a free version of Ulysses. Enjoy! - Evan
The Paris Journal is live in the App store! We've already received a lot of wonderful feedback, and we'd like to thank you very much for that. Our main driver for the project was your experience. We wanted to deliver something that mimics what would catch your eye on a walk as closely as possible, so you could take a break and escape to the streets of Paris whenever you like. Currently, The Paris Journal is available for iPad and iPhone. We are working on making it available for Kindle, Galaxy and Android. Thank you so much for your comments and support. We really hope you enjoy the virtual escape.
To provide a little background on how The Paris Journal came about, I wanted to share a little of the long process that lead us here, including a few failures along the way.
Although there are many things about this project that are breaking new ground for us, the aesthetic point of view behind it hasn't changed since Nichole first started posting photos in 2009. The aim then, as it is now, was to take the viewer to Paris on a vicarious walk around the city.
While Nichole was shooting the Paris Color Project, I was with her every step of the way. Because of my background in film, I was thinking about video as a narrative vehicle, and how it could compliment the intimate details she was photographing to bring the viewer as close to Paris as possible.
The first foray into video was a series of test videos called “One Place, One Time,” shot around Montmartre and the Marais, and partially shared on the old blog at the end of 2009. The idea was to keep them unedited and un-hosted in order to create a direct, voyeuristic experience. The hope was that a series of these unedited, one-minute snapshots would cumulatively capture the essence of a neighborhood.
But the videos were, well, awful. By refusing to edit, they had no real point of view, and by being formulaic, they had no story. However they made it clear that if the videos were to create the sense of walking around a neighborhood, they would need to be:
1. Focused. You can't capture the essence of a place by filming everything.
2. Chronological. 50 videos of 50 street corners don't add up to a cohesive story of a neighborhood just because you shoot them the same way. You need to create a sense of time.
3. Local: If you want to deliver a human experience, think on a human scale. Go for a slow walk and see how much ground you really cover. It’s less than you think.
The real revelation happened about a year ago while working on a potential project about Paris Light for Chronicle Books. I realized that Nichole’s photography and my videos could work together to tell a simple, intimate story of a walk if they were actually structured like a walk - linear (morning to night) and local (where we walked during that time). Each book would only cover one neighborhood over the course of one day.
Along the way, there were many more experiments, including writing commentary as if it were an actual journal. In that case, we found that the more we editorialized, the more it became about our experience instead of yours. The story had to be exclusively visual.
Creating The Paris Journal was a very slow and sometimes frustrating process: Years of trial and error, seven trips, months of editing and compiling, and some pretty steep technological learning curves (apps!), but it was worth it. We are really thrilled with the final concept and with the first volume. 125 photos and 14 videos are integrated into a digital book that tells the story of one day in one Paris neighborhood, from morning to night. It's a true labor of love, and we can't wait to share it with you this Tuesday.
After many months, THIS is happening in two weeks. Coming to iPads and iPhones May 14. We can't wait to show you more!
I knew I was going to like Cameron Matthews right away because his band's name - Bear Ceuse - was completely improbable. I met with him and guitarist Adam Home in NYC to hear some tracks, and instantly loved the hard-hitting, smart fuzz-pop sound of his demos and ended up doing the artwork for the album. So I thought I would share the final work and the first two releases.Bear Ceuse on Facebook
The Pont Saint-Louis is no stranger to entertainers. From a lone guitarist to jazz bands, there is usually something or someone to listen to should you want a place to pause and polish off your ice cream. A few days ago, we were on our way back to our apartment and this gentleman was setting up for a show. Or so we thought. For the next ten minutes, he rolled the piano back and forth over the bridge, would pause, pose and start rolling again. He would sometimes stop and situate himself on the chair, position his fingers for playing, then jump up and move the piano ten to fifteen feet and do it again. I looked around for a photographer or videographer, figuring perhaps it was a photo shoot. None in sight. So this goes on for about ten minutes. He never played, he never stopped moving and fidgeting. Then after about the twentieth reposition, he picked up the (then clear to me) fake piano and carried it down to the Seine. Okay.
This cheese shop is right across from the apartment we're renting on Rue Lagrange. All the cheeses we tasted were heavenly, but the goat cheese rolled in honey and pistachio was just insane.
Headlines like this don't come along too often. I had to seize the opportunity.
On our last trip to Paris, we completed a new project (more on that in a few weeks!), but I couldn't help snapping a few reds for old time's sake.
Just a quick note to let you know that Paris in Color Notes are finally available in stores. I collaborated with Chronicle Books on this companion set to the book last year, and I am very pleased with how they turned out. They are all occasion notes, including a quirky favorite for use as a get well card: the green pharmacie sign. The box of 20 cards is available at Amazon, Chronicle Books, Paper Source, Papyrus, Powell's Books and more. Also, in case you missed it, I finally added signed copies of Paris in Color to the shop, here.
I had some time this week to complete several designs for the Illustrated Quotation Project, and would love to share them with you.here.
A few weeks ago we spent a week in our friend Erica's sweet studio apartment in Montmartre. Rue Cavallotti is a just a few blocks away, and if you're up at dawn or after closing time, you're treated to an open air art gallery of sorts. Most of the shutters are painted in a 1920s/30s style and pay homage to the Montmartre lifestyle and popular spots of the time period.
I've finally added signed copies of Paris in Color to the shop (don't know why it took me so long). There's no extra charge for the signing, and you can see the listing here. Thanks to all of you, the book has sold over 35,000 copies worldwide and is an Amazon #1 bestseller. Thank you, Thank you! Your support and enthusiasm means so much. - Nichole
What makes Paris rooftops vistas so pleasing? Aesthetic regulation? A tightly controlled color palette of creamy whites, yellows, rust browns and grays? Is it the uniformity of design, which under any other circumstance would be boring?
We're spending a week in Mont Tremblant for a little R+R, fresh air and skiing (well falling down for some of us). It's nice to step away from the computer and reconnect with nature.
Flavorful coffee. Fresh milk. Both a rarity in Paris, but staples at Kooka Boora. I'm thankful to Lindsey of Lost in Cheeseland for arranging a meet up here, as it became our go to spot for re-caffeination last week. If you're ever in Montmartre or the ninth arrondissement, hit up this spot and order a flat white. Here are what some of our Paris friends and bloggers had to say about Kooka Boora: David Lebovitz Haven in Paris Paris By Mouth Kooka Boora Cafe 62 rue des Martyrs Paris, France
A mini tour of the north, more residential side of Rue Lepic. It was the first respite from the rain and cold in five days. If you're willing to entertain a little fantasy, the green ivy and evergreens coupled with the sun trick you into thinking it's spring.